When he wakes up, he sees a dark object in the window which he describes as a shadow belonging to nobody and nothing.
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The shop then blows up and Percy hears Polyphemus' voice. A simple matter of lost and found becomes a dangerous obsession.In Percy Jackson's dream, Grover Underwood is running from the Cyclops, Polyphemus, and enters a wedding shop. Living on the fringes of the sunken Miami coast, his life is forever changed when he takes on a new client, Mae (Rebecca Ferguson). Nick Bannister (Hugh Jackman), a private investigator of the mind, navigates the darkly alluring world of the past by helping his clients access lost memories. This all drives home Reminiscence’s core message: tomorrow is not guaranteed, so live in the present. In one beautifully shot scene in particular, centering on a fight in the water, the camera pulls all the way back so we can clearly see how deep the water is - and how heavy the stakes are.
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The setting, a futuristic and nearly underwater Miami, is intriguing, with Joy exploring the class issues that exist within it through production design. To quote Nick himself, “memories are like perfume… better in small doses.”Įven still, Joy’s exciting aesthetic choices keep us interested.
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While the idea of revisiting the past physically and mentally is alluring, watching that play out in the movie is less interesting. There are portions of the story that feel like they’re on a loop - just like a memory. Where Reminiscence runs into issues is, ironically, the ways in which it reflects its own premise. Newton’s skill, substance, and character work stands out here when she walks into a New Orleans bar and lights it up like the Fourth of July, it’s exhilarating to watch. Nick loves and respects Emily, but is in love with Mae, which proves to be a hard pill to swallow for Emily. Nick’s chemistry with his best (and only) friend, Emily Watts (Thandiwe Newton, who previously worked with Joy on Westworld), is memorable in a completely different way. He has a likeability that harkens back to true classic movie stars like Cary Grant and James Stewart we root for him, and want him to have a happy ending with the woman he loves at all costs. Ferguson channels Lauren Bacall chanteuse vibes while crooning the Rodgers and Hart classic “Where or When” (with its fitting nostalgic lyrics), while Jackman again proves he’s a character actor in a leading man’s body. And fortunately, Ferguson and Jackman’s chemistry is pure fire, the kind of film noir leading man and woman that leave you wanting more. Mae, meanwhile, stands out in bright, jewel-tone shades of red and blue, a burst of excitement for Nick.
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These very conscious visual choices are quite intriguing, and drive home that melancholic feeling of yearning for the past. This is even reflected in the production design, with Joy shooting in mostly muted grey and blue tones to illustrate a world in which humans have become stuck between the present and their memories. Once she mysteriously vanishes, Nick spends every waking moment fighting to learn the truth regarding her whereabouts and why she disappeared.Īlthough there are slight similarities to other futuristic dramas like Total Recall and Minority Report, Reminiscence has more heart than some of the other entries in the genre. A simple case of locating Mae’s lost keys turns into an obsession. In Reminiscence, former veteran Nick Bannister (Hugh Jackman), now a private investigator of the mind, finds himself navigating worlds of memories for a quirky variety of clients until his life is changed in an instant while locking eyes with Mae (Rebecca Ferguson).